Author Elizabeth McCracken, known for her critically acclaimed works including the National Book Award finalist “The Giant’s House,” has recently released a new book titled “A Long Game: Notes on Writing Fiction.” This insightful guide offers a blend of advice and personal reflections on the writing process. McCracken, who serves as the James A. Michener Chair in Fiction at the University of Texas at Austin, shared her thoughts on the book, her reading habits, and her experiences as a judge for the National Book Awards.
In her newest work, McCracken provides a candid exploration of her writing journey. “I’m glad that your dog is fine,” she humorously responded to an inquiry about her book while recounting an experience of reading in a waiting room. She describes “A Long Game” as somewhat cranky yet encouraging, structured into 280 sections with an index, making it accessible and enjoyable even for those not interested in writing fiction.
The author revealed that her initial drafts were challenging, primarily because she was overly concerned with the audience’s expectations. “Once I started writing without aiming it at writers, I began to enjoy the process,” she noted, highlighting a key shift in her approach. This realization underscores the importance of authenticity in creative work.
Reflecting on her writing process, McCracken referred to a famous quote by Joan Didion: “I write to find out what I am thinking.” This sentiment resonates with her, as she views the act of writing as a means to organize her thoughts and navigate her experiences. She candidly acknowledged that some of her earlier writing might have come across as cynical, a realization she attributes to her growth as a writer.
As a judge for the National Book Awards last year, McCracken engaged with a vast number of submissions. While she is constrained from sharing gossip about the judging process, she expressed admiration for the shortlisted works, particularly highlighting Yiyun Li’s “Things in Nature Merely Grow” as the standout book of the previous year.
When asked about her recommendations, McCracken pointed to two beloved titles: “Utz” by Bruce Chatwin and “Maud Martha” by Gwendolyn Brooks. Both are small yet impactful works that have left a lasting impression on her.
Currently, she is reading “Monster of a Land” by Lauren Hough, which is set to be released in 2026. McCracken describes it as a modern take on travel narratives, likening it to “Travels With Charley” but with Hough’s unique voice.
McCracken’s reading preferences are eclectic, although she admits to a reluctance towards massive historical novels predating 1400. She fondly recalls “Eloise” by Kay Thompson as a pivotal book from her childhood, one that sparked her imagination and appreciation for complex narratives.
A memorable moment from her literary journey occurred when she was the first to read her friend Ann Patchett’s “Bel Canto.” The experience was transformative, as she vividly remembers the atmosphere and her emotional engagement with the text.
McCracken’s literary tastes are deeply rooted in language, which she values above all else. “Terrible sentences are the one thing I can’t overlook,” she stated, emphasizing her commitment to quality prose.
As she looks ahead, McCracken plans to read “The Rest of Our Lives” by Benjamin Markovits, while also acknowledging the influence of her older brother, Harry McCracken, in nurturing her love for reading.
In a world filled with diverse voices and stories, Elizabeth McCracken continues to inspire both readers and writers alike with her thoughtful insights and passionate engagement with literature. Her journey reflects the powerful connection between reading and writing, illustrating that both are essential to understanding oneself and the world.
