UPDATE: The Chicago Symphony Orchestra (CSO) delivered an electrifying performance of Hector Berlioz’s masterful works Thursday evening, showcasing the ensemble’s talent and the promising direction under music director designate Klaus Mäkelä. This pivotal concert marks a defining moment for the CSO as it embarks on its 2025-26 season.
With an enthusiastic audience in attendance, the CSO presented a dynamic program featuring the renowned Symphonie fantastique and the lesser-known but equally captivating Harold in Italy. Each composition, lasting over 40 minutes, showcased Berlioz’s innovative storytelling and musical intricacies, with the orchestra fully embracing Mäkelä’s youthful energy.
The concert, held at Chicago’s Symphony Center, drew significant attention as it highlighted the CSO’s commitment to their new conductor. Mäkelä, just 29 years old, is set to officially step into his role in September 2027. His connection with the musicians was palpable, as they delivered a passionate performance that left the audience cheering fervently after each piece.
In a creatively bold move, Mäkelä paired the two Berlioz compositions, allowing listeners to experience the contrasting yet complementary narratives they present. The first movement of Harold in Italy, titled “Melancholy, Happiness, and Joy,” stood out with its emotive depth, expertly rendered by guest soloist Antoine Tamestit. Tamestit’s vibrant viola playing captivated the crowd, demonstrating his mastery as he navigated the expressive challenges of the work.
“The musicians are committed fans of the 29-year-old maestro,” noted a CSO representative, highlighting Mäkelä’s immediate impact on the orchestra.
Mäkelä’s dynamic conducting style, performed from memory, facilitated a deeper connection with the orchestra, allowing for a more spontaneous and engaging performance. The evening was filled with surprising orchestrations, including an intimate duet between the solo viola and harp, performed brilliantly by Emily Levin from the Dallas Symphony.
In a memorable moment, Tamestit made a theatrical entrance, moving through the orchestra as if embodying the titular character of the piece, enhancing the concert’s overall experience. The audience responded with an enthusiastic ovation, demonstrating the emotional power of the performance.
The brass section of the CSO, particularly Timothy Higgins on trombone and Esteban Batallán on trumpet, delivered standout performances, contributing to the orchestra’s cohesive sound. Noteworthy solo performances also included Scott Hostetler on English horn and Herman van Kogelenberg, a guest flutist from the Munich Philharmonic, who drew attention for his warm and rich tone.
As the CSO continues its concert series, audience members and critics alike are eager to see how Mäkelä will shape the future of this historic orchestra. The excitement surrounding his tenure is palpable, suggesting a bright future ahead for the CSO, one filled with innovation and artistic growth.
Stay tuned for more updates on Klaus Mäkelä’s journey with the Chicago Symphony Orchestra as they redefine the classical music landscape.
